The August 2016 issue of this journal of radical theory and practice, produced by anticapitalists in canada. Here is the editors' introduction to this issue, followed by the table of contents:

Dear readers, family, fans, and haters,

Thank you for your sustained love, resistance, and solidarity. We’ve been working hard to bring you some really exciting and thought provoking material to keep you coming back for more! It is with much pleasure and gratitude that we bring you Issue 18 of Upping the Anti: A Journal of Theory and Action.

The lines of oppression are already drawn. The only question is, Which side are you on in the struggle against the violence that is white supremacy and policing? Taking Sides supplies an ethical compass and militant map of the terrain, arguing not for reform of structurally brutal institutions but rather for their abolition. Its thirteen essays are sharp interventions that take particular aim at the role of nonprofits, “ally” politics, and “peace police” in demobilizing rebellions against hierarchical power.

Stealing All Transmissions is a love story. It’s the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the band’s quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s and culminates with their September 1979 performance at the Palladium in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodcutter's ax.